I have some plans in the future that I’m very excited about. It’s something that I really wanted to sing live.Īre you starting to think about live performances? Because “Cry” is something that is very dear to my heart that I very much believe in and feel very close to. It was really just a joke track that I didn’t expect to be released.
My friends in London call it a piss-take, which means like a joke. Or I wish Katy Perry got a song like “I’m Bored.” But I really was bored, and I put it out and that was that. You feel me? In my opinion, I wish Anne-Marie got “I’m Bored.” I love her. I felt like there was a big disconnect where I couldn’t… Those were little things to enjoy in the moment, but they weren’t work. I found it very hard to release the things that I wanted to. I feel like everybody’s energies were a little wack, and not everyone was in a headspace of working. Was “Cry” following in the footsteps of stand-alone singles like “I’m Bored” and “Mommy” then, but it turned into something more? Then that feeling kind of followed me, and it became an EP. “Cry” was really just how I was feeling at that moment, and I thought it was important to release it when I felt that way. To be totally honest, I didn’t think the EP was going to exist yet. Is there a reason why “Cry” was the first song you dropped from the EP? Literally that specific part that you just said. I think that song is one of my favorites on there, too. The fact that that’s the thing that resonated with you makes me so happy. We need to have that sound effect before dancing. I have a very big smile on my face because that part almost did not make it in.
The most instant song for me was “Cry.” The breakdown after the chorus with the hiccups was a moment that totally took me away. Thank you! Were there any songs that you were like, “Okay, I get it?” I’m always curious… Forget what I think, I want to know what the listener thinks and hears. I feel like a lot of these songs on the EP are for putting your hands over your chest and crying it out.
I’ve been wanting to be close to a finish line for a minute now, and I’m really happy with “I Love the Weekend.” It was written during a time that was very blue for me, and I tried to just dance those blues away. I love the idea of being closer to a finish line. How do you feel to be at the finish line? You’ve been dropping singles from this project for the last seven months. She also spills some tea about her arsenal of years-old, still on-trend unreleased music, dream collaborators and more.
EIFFEL 65 BLUE ORIGINAL FULL
Lemme delves deeper into the topic on the EP's opener, "I Love the Weekend." Meanwhile, "Cry" - an obvious standout that interpolates Eiffel 65's biggest hit - celebrates the catharsis of letting loose a couple tears and features a killer breakdown laced with the sort of hiccups one would make while breaking down. The equally addictive "Girls" is a queer anthem with plenty of replay factor.Īs a whole, the project showcases Lemme's incredible aptitude as a pop artist who deserves our full attention.īelow, Betta Lemme tells PopCrush about the colors she sees when listening to Ready for the Weekend and details how several of its songs came together. "Ready for the weekend (even though it sounds like something to be excited for) was more of a way of hyping myself up for the two days that felt like silent agony." “As I grew up, I noticed how the work week would take my mind off of real life depression or anxiety,” she explains in a press release. While its tight 5-song track list delivers danceable floor-fillers, there is a twist to the title: It turns out Lemme is actually not a massive fan of the weekend. Now, the rising star returns with her sophomore EP.
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